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Journal of the Vernacular Music Center Vol. 2 No. 1 (2016): Improvisation and Vernacular Traditions in Historical Performance - Full Issue
Journal of the Vernacular Music Center: Improvisation and Vernacular Traditions in Historical Performance
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Journal of the Vernacular Music Center Vol. 2 No. 1 (2016): Improvisation and Vernacular Traditions in Historical Performance - Articles
Comparing New World Traditions: Conflict and Resistance in the Appalachian Protest Song and the Mexican Corrido
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Journal of the Vernacular Music Center Vol. 2 No. 1 (2016): Improvisation and Vernacular Traditions in Historical Performance - Articles
Fighting Dragons (Or Witches): Western North Carolina Mountain Tradition-Bearers of Seventeenth-Century British Broadside Ballads
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Journal of the Vernacular Music Center Vol. 2 No. 1 (2016): Improvisation and Vernacular Traditions in Historical Performance - In This Issue
Author Biographies
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Journal of the Vernacular Music Center Vol. 2 No. 1 (2016): Improvisation and Vernacular Traditions in Historical Performance - Articles
Widening Origins: Twa Sisters, Singing Bones, and the Slavic
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Journal of the Vernacular Music Center Vol. 2 No. 1 (2016): Improvisation and Vernacular Traditions in Historical Performance - Articles
Closing the gap: Observations on cross-genre programs and the exchange of historical performance practices
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Journal of the Vernacular Music Center Vol. 2 No. 1 (2016): Improvisation and Vernacular Traditions in Historical Performance - Articles
TIBIA EX TEMPORE, Medieval Flute Meditations: An attempt to reconstruct the contemplative art of instrumental improvisation in thirteenth-century Paris
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Journal of the Vernacular Music Center Vol. 2 No. 1 (2016): Improvisation and Vernacular Traditions in Historical Performance - Reviews
Review of Played Out on the Strip: The Rise and Fall of Las Vegas Casino Bands by Janis L. McKay
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Journal of the Vernacular Music Center Vol. 1 No. 2: Spring 2016: Trusting the Traditions: Vernacular Pedagogies - Articles
In This Issue
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Journal of the Vernacular Music Center Vol. 1 No. 2: Spring 2016: Trusting the Traditions: Vernacular Pedagogies - Articles
Contributor Biographies
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Journal of the Vernacular Music Center Vol. 1 No. 1: Fall 2015: The Performing Scholar - Articles
Unpacking the Louisiana Ballad Tradition: Cajun and Creole Songs of Love, Loss and Drink on the West Texas Stage
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Journal of the Vernacular Music Center Vol. 1 No. 2: Spring 2016: Trusting the Traditions: Vernacular Pedagogies - Photographs
Lauryn Salazar with students
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Journal of the Vernacular Music Center Vol. 1 No. 2: Spring 2016: Trusting the Traditions: Vernacular Pedagogies - Articles
Youth and Peer Relationships in Vernacular Music and Dance Communities
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Journal of the Vernacular Music Center Vol. 1 No. 2: Spring 2016: Trusting the Traditions: Vernacular Pedagogies - Articles
Managing Editor’s Preface
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Journal of the Vernacular Music Center Vol. 1 No. 2: Spring 2016: Trusting the Traditions: Vernacular Pedagogies - Articles
A Pedagogical Approach to Rhythm in Irish Uilleann Piping
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Journal of the Vernacular Music Center Vol. 1 No. 2: Spring 2016: Trusting the Traditions: Vernacular Pedagogies - Articles
La-re-so: Teaching the Tibetan Dranyen through Solfege
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Journal of the Vernacular Music Center Vol. 1 No. 2: Spring 2016: Trusting the Traditions: Vernacular Pedagogies - Articles
Joining the Gamelan in Theory and Practice
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Journal of the Vernacular Music Center Vol. 1 No. 2: Spring 2016: Trusting the Traditions: Vernacular Pedagogies - Articles
Third Space Ensemble and the Bucks of Bangalore: An Ethnography of Irish-Indian Music Pedagogy
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Journal of the Vernacular Music Center Vol. 1 No. 1: Fall 2015: The Performing Scholar - Articles
ACKNOWLEDGEMENTS
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Journal of the Vernacular Music Center Vol. 1 No. 1: Fall 2015: The Performing Scholar - Articles
Mariachi Music as a Pathway to Higher Education in the United States
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Journal of the Vernacular Music Center Vol. 1 No. 1: Fall 2015: The Performing Scholar - Articles
Vernacular Ensembles in the Academy: TTU Balkan Ensemble
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