Vol. 2 No. 1 (2016): Improvisation and Vernacular Traditions in Historical Performance

Published: 2016-11-15

In This Issue

• Introduction

  Dr. Stacey Jocoy Dr. Angela Mariani

  • PDF

• Author Biographies

  Dr. Stacey Jocoy Dr. Angela Mariani

  • PDF

Articles

• Fighting Dragons (Or Witches): Western North Carolina Mountain Tradition-Bearers of Seventeenth-Century British Broadside Ballads

  Donna Corriher

  • PDF

• Comparing New World Traditions: Conflict and Resistance in the Appalachian Protest Song and the Mexican Corrido

  Benjamin Duvall-Irwin

  • PDF

• Widening Origins: Twa Sisters, Singing Bones, and the Slavic

  Christopher Hepburn

  • PDF

• Closing the gap: Observations on cross-genre programs and the exchange of historical performance practices

  Dr. Kim Pineda

  • PDF

• TIBIA EX TEMPORE, Medieval Flute Meditations: An attempt to reconstruct the contemplative art of instrumental improvisation in thirteenth-century Paris

  Norbert Rodenkirchen

  • PDF

Reviews

• Review of Played Out on the Strip: The Rise and Fall of Las Vegas Casino Bands by Janis L. McKay

  Stephanie Joy Rizvi-Stewart

  • PDF

Full Issue

• Journal of the Vernacular Music Center: Improvisation and Vernacular Traditions in Historical Performance

  Kathryn Mann

  • PDF