Skip to main content Skip to main navigation menu Skip to site footer
  • Current
  • Archives
  • Announcements
  • About
    • About the Journal
    • Submissions
    • Editorial Team
    • Privacy Statement
    • Contact
Search
  • Register
  • Login
Search
  1. Home /
  2. Archives /
  3. Vol. 2 No. 1 (2016): Improvisation and Vernacular Traditions in Historical Performance

Vol. 2 No. 1 (2016): Improvisation and Vernacular Traditions in Historical Performance

					View Vol. 2 No. 1 (2016): Improvisation and Vernacular Traditions in Historical Performance
Published: 2016-11-15

In This Issue

  • Introduction

    Dr. Stacey Jocoy Dr. Angela Mariani
    • PDF
  • Author Biographies

    Dr. Stacey Jocoy Dr. Angela Mariani
    • PDF

Articles

  • Fighting Dragons (Or Witches): Western North Carolina Mountain Tradition-Bearers of Seventeenth-Century British Broadside Ballads

    Donna Corriher
    • PDF
  • Comparing New World Traditions: Conflict and Resistance in the Appalachian Protest Song and the Mexican Corrido

    Benjamin Duvall-Irwin
    • PDF
  • Widening Origins: Twa Sisters, Singing Bones, and the Slavic

    Christopher Hepburn
    • PDF
  • Closing the gap: Observations on cross-genre programs and the exchange of historical performance practices

    Dr. Kim Pineda
    • PDF
  • TIBIA EX TEMPORE, Medieval Flute Meditations: An attempt to reconstruct the contemplative art of instrumental improvisation in thirteenth-century Paris

    Norbert Rodenkirchen
    • PDF

Reviews

  • Review of Played Out on the Strip: The Rise and Fall of Las Vegas Casino Bands by Janis L. McKay

    Stephanie Joy Rizvi-Stewart
    • PDF

Full Issue

  • Journal of the Vernacular Music Center: Improvisation and Vernacular Traditions in Historical Performance

    Kathryn Mann
    • PDF

Developed By

Open Journal Systems

Information

  • For Readers
  • For Authors
  • For Librarians
More information about the publishing system, Platform and Workflow by OJS/PKP.