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Table of Contents
Articles
| Table of Contents and Editor's Introduction | |
| Stacey Peebles |
| Looking Over the Country Again: Rusticity and the Urban/Rural Spatiality of The Orchard Keeper and No Country for Old Men | |
| Benjamin S. Child | 1-16 |
| The Uncanny Necrophile in Cormac McCarthy's Child of God; or How I Learned to Understand Lester Ballard and Start Worrying | |
| Michael Madsen | 17-27 |
| Discovering the Romantic in a Necrophile: The Question of Misogyny in Child of God | |
| Hillary Gamblin | 28-37 |
| “What’s Wanted is a Clean Sweep”: Outlaws and Anarchy in Joseph Conrad’s The Secret Agent and Cormac McCarthy’s No Country for Old Men | |
| Daniel Butler | 38-50 |
| Sentence Fragments, Sound, and Setting in Suttree and The Road | |
| Rachel Furey | 51-65 |
| Now Let’s Talk about The Sunset Limited: An Exchange With Marty Priola | |
| Peter Josyph | 66-86 |
| The Filmed McCarthy Novels, So Far | |
| Jim Welsh | 87-89 |
| Reviews | |
| Various Authors | 90-100 |
| Contributor Biographies | |
| Stacey Peebles | 101 |