Oral Interpretation of Literature: Readers' Theater

Authors

  • Joan Kennedy Collin College

Keywords:

pedagogy, literature, readers' theater, poetry

Abstract

The pedagogical principle of experiential learning embodied in the oral interpretation of literature through Readers’ Theater provides an avenue to accomplish a seemingly daunting task. Students’ participation in reading, interpreting, discussing, writing, assessing, and performing their own creative responses to a literary work promotes a learning activity that leaves an indelible mark on their educational process as they explore complex and abstract levels of thinking—in real time, no less. The activity entices students out of the virtual world of technology to explore a tangible sphere of performance. The thought processes that the activity demands cover the gamut of Bloom’s taxonomy of skills, which defines levels of intellectual behavior important to learning. The synthesis and evaluation elements at the top of the taxonomy demand creative behavior. Anderson and Krathwohl’s revision of the taxonomy— remembering, understanding, applying, analyzing, evaluating, and creating—also places creativity at the top of the hierarchy of skills.

Author Biography

Joan Kennedy, Collin College

As a full-time English professor at Collin College in Frisco, Texas, I teach freshman composition courses and world literature. An English colleague and I developed a study abroad learning community in the Czech Republic, combining humanities and composition courses. My research focuses on experiential learning and voice in multi-cultural texts. Publications include poetry, vignettes, articles, essays, and short stories in Baylorian, Collage, Crete: Mythos, Logos, Ethos, and Journal of Intercultural Disciplines.

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